Italy did a long series of stamps of women in art as portrayed by mostly male Italian artists. By the later stamps in the higher, less printed denominations, they were getting pretty far afield, all the way to Constantinople. So slip on your smoking jacket, fill your pipe, take your first sip of your adult beverage, and sit back in your most comfortable chair. Welcome to todays offering from The Philatelist.
I had hoped this stamp was a nineteenth century style depiction of Italia, the Latin female embodiment of a nation. To have such a thing on a 21st century stamp would be quite novel. Instead we have something else that was pretty novel. A stamp that focuses in on a women that was a tiny part of a half lost fresco from the Quatrocento period. Proving you never know where a stamp story will go. So start collecting and dig in!
Todays stamp is issue A1142, a 65 Euro cents stamp issued by Italy on March 20th, 2004. It was a 25 stamp issue issued over 6 years that depict women in art. The earlier ones showed the denomination in both Lira and Euros. According to the Scott catalog, the stamp is worth 70 cents used. My new catalogs were delivered yesterday from Amos and so from here on out the values will be from the 2020 edition. Out of curiosity I checked the value of the stamp in the older 2017 edition, same 70 cents. No inflation in Italy, perhaps that should be the headline.
The artist of the tiny piece of the fresco depicted on the stamp was Antonio Pisanello. A fresco is a mural painted on fresh still wet wall plaster so that the painting bonds permanently with the wall. Pisanello was born in Pisa but spent much of his time in Verona. That time in Italy was the early Renaissance known as the Quatrocento. Pisanello studied under Gentile da Fabiano and they worked together on several frescos that did not survive. Pisanello received commissions from the Pope, the Doge of Venice and other heads of Italian city states.
“Saint George and the Princess” was commissioned by the Pelligrinni family for their Chapel in the Saint Anastacia Church in Verona. It is considered Pisanello’s masterpiece. It depicts the Princess of Trebizond, a successor state to Byzantium, sending an Knight to do battle with a dragon. It is thought that the dragon represents the Ottoman Turks that were then laying siege to Constantinople. Half of the fresco was lost to a water leak at the chapel in the 19th century.
Soon after this work, from the 1430s, Pisanello changed the medium of his art. He began casting medals with likenesses of those who commissioned them. They were not cast like a coin but rather in bronze. melted in low relief. He believed this better showed the hand of the artist.
Well my drink is empty and I am left with the feeling that todays stamp did not do justice to the artist. Come again tomorrow for another story that can be learned from stamp collecting.