Around the start of the twentieth century Paris was the center of the art world. Though many in Paris had traveled from elsewhere to be a part of it. First color was reimagined and then form itself was broken down to allow multiple perspectives within one work and then as war was darkening prospects, bright color was added by Orphist to break with a dark reality. All in 20 years in one city, well worth remembering. So slip on your smoking jacket, fill your pipe, take your first sip of your adult beverage, and sit back in your most comfortable chair. Welcome to todays offering from The Philatelist.
Todays stamp shows the painting “The Fourteenth of July” by French artist Roger de la Fresnaye. July 14 is Bastille Day in France. Given the politics of the avant-garde of the art world, it is a little surprising that patriotic themes were so common among the output. Of course the subjects are being treated to more than a grain or two of salt, but to modern eyes it is striking how much mind space this stuff occupied.
Todays stamp is issue A373, a 1 Franc stamp issued by France on November 10th, 1961. There was a long issue of oversize painting stamps in this format from the early sixties through the mid 1970s. Some of the first stamp issues displayed the most avant-garde paintings. According to the Scott catalog, the stamp is worth $1.90 used.
Roger de la Fresnaye was born into a noble family from Falaise in Normandy. He received art training at many of the top Paris art school. As he was coming of age more established artists like Pablo Picasso and Georges Braque were breaking down form into little cubes within their paintings. This allowed many paintings within a painting and was thought to be an allegory of the industrial revolution where people labor and one particular aspect of a product with no access to the overall diagram of what is being accomplished.
Into this comes younger man Roger de la Fresnaye. The upcoming war was more personally threatening to him and he became attracted to a new movement within cubism called Orphism. This dispensed with the small cubes forming a larger form and instead add a great deal of bright colors in order to portray a more infinite universe. In this way perhaps adding a purpose outcome to the patriotism which was proving so flawed.
One can see the conflicting attitudes within Fresnaye when the war came in 1914. He enlisted in the French Army as his father had done. While serving he contracted tuberculosis and was released by the Army. Fresnaye late paintings took on a more linear style but he gave up painting in 1922 before dying at age 40 in 1925. One of his paintings sold in 2017 for 2,370,500 Euros.
Well my drink is empty and I will pour another to toast the French postage stamp designors from this era. Even with the oversized paper, it was no small feat transfering the painting images properly to a small scale. Come again tomorrow when there will be another story that can be learned from stamp collecting.