The goal of bringing third worlders in via connected people grants is for them to benefit from first world progress and for the first worlder to learn about hardships from the new arrival. What happens though when the third worlders attracted are their rich, connected and in Jose Vela Zanetti’s case not even a third worlder. Interestingly the Guggenheim fellowship that brought Zanetti to New York has been suspended indefinitely over worries over it’s efficacy. So slip on your smoking jacket, fill your pipe, take your first sip of your adult beverage and sit back in your most comfortable chair. Welcome to todays offerring from The Philatelist.
This stamp displays Mankind’s Struggle for a Lasting Peace, a mural painted by Jose Vela Zanetti that sits in the hallway outside the Security Council chamber in the United Nations New York headquarters. The image on the stamp has little to do with Guinea. When your third worlders are fake and have benefited from a many year education in Tuscany, there is an advantage in that he understands as a fellow cosplayer in any real struggle what the UN wanted. An image rich in the pornography of the toiling of the third worlder with any devine purpose or hope edited out.
Todays stamp is issue AP7, a fifty franc air mail stamp issued by independent Guinea on November 11th, 1967. This was a three stamp and one souvenir sheet issue displaying the art collection of the United Nations Security Council. According to the Scott catalog, the stamp is worth 25 cents canceled to order.
Jose Vela Zanetti was born into a rich family in Burgos, Spain. He showed an interest in art and studied in Leon and Madrid. With the Spanish Civil War heating up, the family got him a scholarship to continue his studies in peaceful Florence, Italy. The victory of what Jose felt was the wrong side in 1939 left him with a conundrum over where to bounce next. Stay in an Italy gearing up for war again on the wrong side or bounce back to peaceful Spain where his politics may be a hinderance. As with several other exiled Spanish artists, Jose moved to the peaceful Dominican Republic.
Jose hit the ground running in the D. R. Within a year of his arrival he hosted his first solo art show. Giving the audience what it wanted, he impresed the D. R.’s right wing dictator Trujillo. Soon he was inundated with commissions to put his murals in many of the new public buildings going up at the time. He was also named a Professor of Art at the local university and eventually named the Dean.
There was however the problem of being a big fish in a small pond. Jose applied for and received a Latin America oriented Guggenheim Fellowship in 1951. The idea was to bring in the Latin American artist mid career and giving him enough money to live for a few years in the hope that he or she will do their best work. This is what happened for Jose. He quickly applied for and won the commission from the UN for the mural that appears on the stamp. It is his most famous work.
In 1960, Jose inherited the estate that he grew up in. Despite Franco, he moved back to Burgos, Spain with his wife and son. His art shifted from murals to paintings and the subject matter shifted from the political to landscapes. He lived there another 39 years.
Well my drink is empty. I will pour another for the bouncing cosplayers, it is where the world is heading, Mr. Vela Zanetti just got there early. Come again tomorrow when there will be another story that can be learned from stamp collecting.