The British Colonial architectural style has been long lasting, both for it’s tradition and for the accommodations made to it to account for the alien climates of other side of the world outposts. As the independent city state of Singapore has grown into one of the great world cities, it is not often possible to preserve what came before. So why not at least a stamp to remind that what came before was pretty good too. So slip on your smoking jacket, fill your pipe, take your first sip of your adult beverage, and sit back in your most comfortable chair. Welcome to todays offering from The Philatelist.
One wonders about lead times for stamps in Singapore. The printing of the time was farmed out to Japan which could lengthen the lead times. This stamp came out months before it was announced that the Coleman Bridge was coming down in favor of a much larger structure with the same name. The government had been designing the new for years before. I wonder if those who put together the stamp only knew the bridge was historic and attractive and not that it was breathing it’s last.
Todays stamp is issue A112, a 10 cent stamp issued by Singapore on March 15th, 1985. It was a four stamp issue in various denominations. According to the Scott catalog, the stamp is worth 25 cents used.
George Drumgoole Coleman was born in Drogheda, Ireland in 1795, the son of a building supply merchant. He received some training in civil engineering before setting off at age 19 for Calcutta and once there putting out his shingle as an architect. He built several homes for merchants in the neighborhood of Fort William. Soon he signed on to travel to Batavia in the Dutch East Indies, now Jakarta, Indonesia, to build a string of churches. After working on the project for two years, funding fell through and no churches were completed. In the mean time he had met Sanford Raffles who was in the early days of founding the trading post of the British East India Company at Singapore. Raffles hired Coleman to be in charge of public works. Among his works was this brick bridge that connected Old Bridge Road and Hill Street over the Singapore river, At the time, it was just called the New Bridge.
Among his other projects was a surprise hilltop thatched roof bungalow built for Raffles while he was away. He had been having health issues with the tropical conditions and poor city air. There were of course a series of grand homes built for merchants including one for a Resident Magistrate that was so grand that when it was finished the outpost decided to rent it for use as a courthouse.
Living so far from home proved difficult for Coleman and he took a native Malay wife after previously fathering a daughter by an unknown women. After 20 years of work, Coleman was tired and homesick, so he returned to Ireland leaving behind his childless Malay wife in their home he had designed. Once there, he quickly married an Irish women who gave him a son. He was perhaps gone too long because soon he was taking his new family back to Singapore. Once there he was able to rent a home he had designed. It was not on a hill like the one he made for Sanford Raffles and soon Coleman contracted a tropical disease that took his life. His Irish wife remarried one of his business associates a month later. His son later died on a long sea journey at age four.
We can see that development has brought the end to most of Coleman’s work. The brick bridge on the stamp was torn down in favor of a much larger concrete bridge with the same name. The lampposts and iron railing of the old were reused to provide continuity. His personal home with his Malay wife was torn down in 1965 to make way for the Peninsula Hotel. The thatched roof bungalow built for Raffles is long gone despite being used by many British Residents after Raffles. In 2003, a new structure, vaguely in traditional style was built on the original site as Raffles’ House. It is used as an upscale wedding venue. The house that became a Courthouse still stands and is in use as a venue for art shows, though it has been refurbished so many times that not much of Coleman’s work remains.
Well my drink is empty. Come again soon for another story that can be learned from stamp collecting. First published in 2021.